ДЄfter the album was released, a recording known as Purest Feeling surfaced. He initially expected to use real drum sounds when recording the album, but in the end he and the producers merely equalized his drum samples. Reznor hated the factory sounds of the Emax but had not transferred anything from his old Emulator, and used samples from his record collection for all the drum sounds. Rough and first takes of vocals and guitar were used to contrast the quantized drums and bass. He used an E-mu Emax because it produced a high-end buzzing noise when transposing down sounds. Reznor discussed the recording and touring of Pretty Hate Machine in the April 1990 issue of Keyboard. It's quite small scale, introverted, claustrophobic вЂ“ that's the feel I went for.' I couldn't function in society very well. 'A lot of it sounds immature to me now,' he stated in 1991 of the recordings that were then two years old. Much like his recorded demo, Reznor refused to record the album with a conventional band, recording Pretty Hate Machine mostly by himself. Pretty Hate Machine was recorded in various studios with Reznor collaborating with some of his most idolized producers: Flood, Keith LeBlanc, Adrian Sherwood, and John Fryer. Reznor received contract offers from many of the labels, but eventually signed with TVT Records, who were known mainly for releasing novelty and television jingle records.

With the help of manager John Malm, Jr., he sent the demo to various record labels. Reznor mainly used an E-mu Emax, Prophet VS, Oberheim Xpander, and Minimoog as synthesizers. The sequencing was done on a Macintosh Plus. Playing most of the keyboards, drum machines, guitars, and samplers himself, he recorded a demo. While working nights as a handyman and engineer at the Right Track Studio in Cleveland, Ohio, Reznor used studio 'down-time' to record and develop his own music. In 2020, the album was placed in the 453rd place in Rolling Stone's 500 Greatest Albums of All Time list. Pretty Hate Machine was later certified triple-platinum by RIAA, becoming one of the first independently released albums to do so, and was included on several lists of the best releases of the 1980s. 75 in the US and receiving highly favorable reviews from critics, Reznor (the band's only official member until 2016) feuded with TVT over promotion of the album, which led him to eventually sign with Interscope Records. A remastered edition was released in 2010.ДЄlthough the record was successful, reaching No. The record was promoted with the singles ' Down in It', ' Head Like a Hole', and ' Sin', as well as the accompanying tour. Conversely, much like the band's later work, the album's lyrics contain themes of angst, betrayal, and lovesickness. The album, which features a heavily synth-driven electronic sound blended with industrial and rock elements, bears little resemblance to the band's subsequent work. Trent Reznor and English producer Flood, among other contributors. Production of the record was handled by NIN frontman Pretty Hate Machine is the debut studio album by American industrial rock band Nine Inch Nails, released by TVT Records on October 20, 1989.

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